Brother MFC-8460n 30ppm Network Multifunction Laser Printer

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HP Officejet 5610 All-in-One Printer/Fax/Scanner/Copier (Q7311A#ABA)


: :Increase your productivity with the speed and efficiency of the HP Officejet 5610. Now you can do it all - print, fax, copy and scan - from this compact, versatile all-in-one solution from HP. Create professional presentations and brochures with laser-quality black text, plus optional 6-ink and 4800 optimized dpi color when you print and copy color documents. Send important faxes quickly and eliminate unwanted faxes using junk-fax barrier.Conveniently copy, scan and fax multiple pages with 25-sheet auto document feeder. Use glass surface to easily scan from virtually any source ...

from: Hewlett Packard



Samsung SCX-4500 Monochrome Laser Multifunction Printer


: :Imagine the excitement and sense of pride that this sleek jewel of a printer will bring to your life. Banish unattractive technology and welcome a trendy laser that will sparkle on your desk and light up your printouts. With Samsung SCX-4500 it?s not that hard to imagine. Product Description:The Samsung SCX-4500 monochrome laser multifunction printer will produce fast, high-quality prints, and look good doing it. Compact, quiet, and portable, this sleek multifunction printer will print, copy, and scan, making quick work of all your office needs. With a fast ...

from: Samsung



HP Photosmart C5580 All-in-One Printer


: :Up to 34-ppm black, 25-ppm color print speed / 4x6' photo in as fast as 26 seconds / 2.4' Color LCD / PictBridge / Bluetooth Compatible Print Resolution - Color Up to 4800 x 1200 optimized dpi color, Black Up to 1200 rendered dpi Copy Resolution - Black text and Graphics Up to 1200 x 1200 dpi, Color Graphics Up to 1200 x 1200 dpi Up to 4800 x 4800 dpi Scanner Up to 50 copies, reduce/enlarge - 50 to 400% JPEG Output File Format Memory Card Compatibility - CompactFlash, ...

from: Hewlett Packard



HP LaserJet 3390 All-in-One Printer/Copier/Scanner/Fax (Q6500A#ABA)


: :Box Contents: HP LaserJet 3390 All-in-One, power cord, HP LaserJet Q5949A Black Print Cartridge, Getting Started Guide, support flyer, CDs containing device software and electronic User's Guide, control panel faceplate, Readiris PRO text recognition software, ADF input support, phone cord The HP LaserJet 3390 All-in-One gives you the fast performance & versatility you need. With it, you can print and copy complete, high-quality, documents in no time, at speeds of up to 22 pages per minute. Rely on versatility, great productivity, fast performance -- all from one device that prints, ...

from: Hewlett Packard



Brother MFC-685cw Color Inkjet Multi-Function Center with Wireless Network Interface


: :The MFC-685CW Photo Color Inkjet Multi-function Printer with Wireless Networking offers a unique, low profile design, with a 10-page ADF. It combines a convenient frontloading paper tray with a wide flip-up 3.3' color LCD, Ethernet and wireless 802.11b/g network as well as USB Direct Interface. The MFC-685CW also includes the Message Center feature, a telephone handset and a full-duplex speakerphone. Preview and print received faxes and your photos directly from your digital camera's media card without a computer. Resolutions up to 6000 x 1200 dpi and a minimum droplet size ...

from: Brother



HP LaserJet 3055 All-in-One Printer/Copier/Scanner/Fax (White)


: :Get outstanding performance and HP reliability in the HP LaserJet 3055 All-in-one printer, fax, scanner and copier. Output capacity - Up to 100 Duplex printing (printing on both sides of paper) Media input tray and priority slot - letter, legal, envelopes (No 5 1/2 Baronial through No 11), index cards, postcards; automatic document feeder (ADF) - letter, legal Media types - Paper (plain, pre-printed, pre-punched, bond, color, glossy, letterhead, light, heavy, recycled, rough), envelopes, vellum, transparencies, labels, cardstock Standard Memory - 64 MB Scan resolution - Up to 19200 dpi, ...

from: Hewlett Packard



Brother MFC-240C Color Inkjet All-in-One Printer with Fax


: :The MFC-240C Color Flatbed Multi-Function Center combines all your basic office equipment needs into one space-saving device. Up to 18cpm black; up to 16cpm color Reduce or enlarge from 25% to 400% in 1% increments Support for PictBridge-enabled cameras Print high-quality images form your media cards without a computer -- accepts Memory STick, xD PictureCard Types M & H, CompactFlash and Secure Digital B&W color faxing Up to 10-page Auto Document Feeder 14.4 Kbps high-speed fax modem Supports Caller ID and Distinctive Ring Fax broadcasting from any PC PC and ...

from: Brother



Brother MFC-9440cn Color Laser Multi-Function Center with Built-in Ethernet Network Interface


: :The MFC-9440CN is a network-ready color laser Multi-Function Center that offers a wide range of standard features ideal for any office or business. Produce vibrant, rich color documents and copies in-house without having to outsource printing them. Delivers an impressive color and monochrome print speed of up to 21 pages per minute and copy speeds of up to 17 copies per minute. Standard Memory - 64MB Memory Faxing Capability - B/W & Color Faxing Fax Modem Speed - 33.6K bps Transmission Speed - Approximately 2 seconds per page Out-of-Paper Reception ...

from: Brother



Epson Sylus CX8400 Color All-in-One Printer


: :The Stylus CX8400 All-in-One Multifunction Printer is perfect for any home, providing fast printing, copying, and scanning with no compromise. With built-in memory card slots, a 2.5' Color LCD, and PictBridge port you can preview your photos before you print them. With the 5760x1440 dpi and DuraBrite Ultra Ink your digital photos will look just as good as they did on the camera and last for years to come! Use the multipurpose card slots to print, PC-free, or easily transfer files Get perfect prints automatically with Auto Photo Correction Archive ...

from: Epson



Brother MFC-8460n 30ppm Network Multifunction Laser Printer


: :The MFC-8460N 5-in-1 Network-Ready Monochrome Laser Multi-Function Center offers high performance print and copy speeds, color flatbed scanning, a high-speed fax modem and built-in (Ethernet) network interface. Walk-up copying and faxing are convenient and easy for every person in the office. It offers tremendous value with its abundant features and great performance - all of which any small/medium business or workgroup can't do without! Printer Features: Duplex printing 32MB standard memory - expandable up to 544MB Secure Print FunctionFax Features - B/W faxing 33.6K Transmission speed - Approx. 2 sec. ...

from: Brother Printer





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Apparel Reviews





The HP Compaq tc4400 convertible tablet offers decent performance and battery life, though we recommend adding more RAM.


Small and light enough for a shirt pocket, Samsung's Helix YX-M1 is a one-stop audio entertainment center with an XM radio, a digital music player, and room for 50 hours of tunes, but it comes up short on battery life.





$10.49



A cheerfully over-the-top action film, Bad Boys is notable chiefly for the rapport between its two stars, Will Smith and Martin Lawrence, as two Miami cops on the trail of a drug kingpin as they try to protect a witness (Tea Leoni). Smith is the swinging bachelor and Lawrence the family man, and both must juggle their personal lives as they baby-sit the one chance they have to recover a stolen drug shipment, save their jobs, and take down the drug dealer. While the film is almost always implausible and its story is something seen many times before, director Michael Bay (The Rock) keeps things moving stylishly and at a feverish pace, as Smith and Lawrence prove themselves a terrific comic pairing. Their odd couple banter flies at a faster clip than the bullets and explosions, and becomes the best reason to see this hyperbolic but entertaining action flick. --Robert Lane
$9.99



Peter Berg's dark comedy about a bachelor party gone horribly awry is highly ambitious in its attempts to satirize suburbia, male bonding, and self-help philosophy, and for the most part it does succeed in hitting its targets with a malicious, misanthropic glee. When five buddies arrive in Las Vegas for some pre-wedding shenanigans, things quickly spiral out of control when the requisite prostitute falls victim to a grisly accident, igniting a spark in an already unstable powder keg of personalities. Following the lead of real estate agent and self-help guy Robert (Christian Slater), the men warily agree on a cover-up and covert desert burial. A couple hours and another corpse later, however, they're already at each other's throats, and their escalating breakdowns threaten to disrupt the highly prized wedding of hard-as-nails bride Laura (a stunning Cameron Diaz). Berg, like most actor-turned-directors (this is The Last Seduction star's filmmaking debut) helms the film with a wildly sliding tone and tends to weigh its strengths heavily on its performers. Slater's psycho turn is by far his most inventive yet (he's more in control than ever before), Diaz effectively mixes sunshine with poison, and Jon Favreau is effective and understated as the hapless bridegroom; the rest of the cast, however, tends to play up the histrionics. Be warned, though: Those expecting a sunny-style There's Something About Mary gross-out comedy will probably be shocked by Berg's take-no-prisoners agenda; this is comedy at its absolute blackest, and no one is spared. --Mark Englehart
$19.99



It actually underscores the power and distinctiveness of Gary Cooper's movie stardom that this isn't so much a true collection as gleanings from the odds-and-ends table. That's not a knock; three of the four films are solid entertainments and would be well worth recommending on their own. But the only thing unifying them is the beauty and enigma Cooper brought to them, and the professionalism with which he addressed these wide-ranging assignments.

Three of them date from the '20s and '30s and were produced by Samuel Goldwyn. The 1926 silent The Winning of Barbara Worth gave Western stunt man and bit player Cooper his first featured role (by accident--the actor originally cast didn't report for work!). A cowboy whose visionary surveyor father aims to "redeem the desert and make it one fine garden," Cooper's character is the third corner of a romantic triangle, ordained by the Hollywood caste system to lose lifelong sweetheart Vilma Banky to engineer Ronald Colman. Colman has lots more screen time than Cooper and bears the moral-ethical brunt of the eco-conscious drama; he's also surprisingly persuasive wearing a sweat-stained Stetson and trading gunshots with the bad guys (if this were a sound film, Colman could never have gotten away with it). But the camera and the audience are locked onto Cooper whenever he's on screen. In longshot or vulnerable closeup, he's already one of the gods of the cinema. As for the movie, the quality of the print is excellent, its clarity intensified by bronze, yellow, and moonlit-blue tinting that often seems on the verge of resolving into full color. Director Henry King shows a good eye for action and bold vistas, and a visual adventurousness mostly absent from his later work.

Next up chronologically is The Cowboy and the Lady (1938), and the best thing about this misbegotten movie is Garson Kanin's description, in one of his Hollywood memoirs, of how Leo McCarey sold the idea for it to Sam Goldwyn. McCarey was, of course, a comedic master (recently Oscared for directing The Awful Truth), and his exuberant pitch convinced Goldwyn and his staffers that audiences would "piss" themselves laughing at this romantic comedy about a daughter of privilege (Merle Oberon) who falls for a rodeo rider (Cooper) and learns homespun values. Goldwyn paid McCarey off, assigned some writers to the script, then realized there was no real story--"no there there," as Gertrude Stein might have put it. The resultant unfunny and unromantic endeavor oozes bad faith from every pore, with neck-snapping life changes foisted on the hapless Cooper and Oberon from reel to reel, and excruciating scenes (jitterbugging in a drawing room, playing house back on Cooper's ranch) that strain charmlessly for McCarey's patented brand of fey. H.C. Potter directed, understandably without conviction.

We and Cooper are back on track with The Real Glory (1939). The reliable Henry Hathaway helmed this second cousin to his and Cooper's The Lives of a Bengal Lancer, with Cooper as an Army doctor assigned to the Philippine Constabulary on Mindanao in 1906. The movie was well-received when it came out; encountered in the shadow of the Iraq War, its tale of U.S. occupiers trying to help the local populace "stand up" against a fanatical and murderous insurgency takes on new fascination. There are some amazing passages--two horrendous murders by bolo knife--and the final battle sequence puts the CGI-riddled action films of the present day to shame. But the most impressive element is Cooper, and we can't improve on the verdict of that astute film critic Graham Greene: "Mr. Cooper ... has never acted better.... Watch him inoculate [Andrea King] against cholera--the casual jab of the needle, and the dressing slapped on while he talks, as though a thousand arms had taught him where to stab and he doesn't have to think any more."

For the final film in the set we jump into the '50s--the century's and Cooper's. Vera Cruz (1954) casts him as a former Confederate officer who's ridden into Emperor Maximilian's Mexico, hoping to make a fortune in the new civil war south of the border so that he can rebuild his own devastated homeland. Costar Burt Lancaster (whose company Hecht-Lancaster was producing) plays another mercenary, a real sociopath, and it's fascinating to watch these two stellar icons of very different Hollywood eras make common cause--Lancaster at the height of his grinning-predator mode, Cooper an aging knight whose aim is still true. Director Robert Aldrich keeps finding dynamic uses for the SuperScope format and flavorfully fills it with sublime uglies like Ernest Borgnine, Jack Elam, Charles Horvath, Jack Lambert, and Charles Buchinsky-about-to-become-Bronson. Pieces of this movie found their way into the dreams of Sam Peckinpah and Sergio Leone. --Richard T. Jameson


by Will Pearson, Mangesh Hattikudur, Elizabeth Hunt
$10.17

Average customer rating: 4.0 ISBN: 0060568062

by Gordon Livingston, Elizabeth Edwards
$12.24

Average customer rating: 4.5 ISBN: 1569244197

by Henry C. Lee, Jerry Labriola
$16.32

Average customer rating: 3.0 ISBN: 1591024099
$14.99



She was famous as both artist and model, infamous as political revolutionary and social libertine, and Frida Kahlo's controversial life couldn't help but seem the stuff of great musical theater. Her story is brought to the screen by director Julie Taymor, whose musical compatriot here is also her husband; Elliot Goldenthal, student of both Copland and Corigliani, shrewdly sublimates his modernism in service of the rich, evocative music and songs of Mexico and Central America. Utilizing performers that range from the contemporary (Lila Downs) to the folk-classic (Costa Rican legend Chavela Vargas; Brazilian star Caetano Veloso) and traditional (Los Cojolites, El Poder Del Norte, Trio Huasteca, Caimanes de Tanquin, and others), Goldenthal generously displays the true breadth of Mexican folk music, while seamlessly infusing it with the minimalist corners of his own underscore and some winning songwriting of his own. The result is one of 2002's most compelling soundtracks. The enhanced CD features include musical film excerpts, as well as a video conversation between Goldenthal and star Salma Hayek and text interviews with the composer and director Taymor. --Jerry McCulley
$11.98



This is a downbeat and brainy set of mostly instrumental tracks from the likes of Kronos Quartet, ECM guitarist Terje Rypdal, guitarist Michael Brook, and Lisa (Dead Can Dance) Gerrard. Highlights include "Always Forever Now" by Passengers (Brian Eno, U2), and Moby's mordant cover of Joy Division's "New Dawn Fades." --Jeff Bateman
$10.99



With the soundtrack to Divine Secrets of the Ya-Ya Sisterhood, O Brother, Where Art Thou? producer T Bone Burnett has compiled another gently nostalgic gem. Filled with covers of jazz standards, sparse blues picking, and traditional Cajun pieces, Sisterhood matches Brother in ambiance and impeccable musicianship. The highlights are numerous: Bob Dylan's lively song waltzes with a raspy narrative, Lauryn Hill uses acoustic plucking to complement her soulful croon, and Bob Schneider contributes an understated love-ballad rumbling with piano. Even the cover songs are first-rate; Macy Gray jive-jumps through a faithful Billie Holiday cover, and Tony Bennett slows things down with a dapper and distinguished Nat "King" Cole homage. Despite the diffuse genres covered, the superior quality of Sisterhood's songs renders these differences negligible, and the album's pacing ensures a pleasing alternation of styles that never lags. In fact, there's nary a bad song on the entire album. The divine secret's out--Sisterhood is an essential listen. --Annie Zaleski
Brother MFC-8460n 30ppm Network Multifunction Laser Printer
Shopping  Created at Sun Nov 23 01:13:26 2008