HP Deskjet F4280 All-in-One Printer, Scanner, Copier (CB656A)

Electronics : HP Deskjet F4280 All-in-One Printer, Scanner, Copier (CB656A)

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HP Deskjet F4280 All-in-One Printer, Scanner, Copier (CB656A)

from: Hewlett Packard




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Binding: Electronics
Brand: Hewlett-Packard
Color: BEIGE
EAN: 0883585581313
Label: Hewlett Packard
Manufacturer: Hewlett Packard
Model: F4280
Number Of Items: 1
Publisher: Hewlett Packard
Release Date: April 07, 2008
Special Features: nv:Print Method^Inkjet|Resolution^Up to 4800 x 1200 Optimized DPI (Color)|Resolution^1200 rendered dpi (Black)|Maximum Duty Cycle^3,000 Pages Per Month|Print Speed^Up to 26 PPM (Black)|Print Speed^Up to 20 PPM (Color)|Connectivity^USB|Standard Paper Input^80 Sheets|Standard Paper Output^50 Sheets|Paper Sizes Supported^Letter|Paper Sizes Supported^Legal|Paper Sizes Supported^Executive|Paper Sizes Supported^DL
Studio: Hewlett Packard



Features:
  • Affordable and reliable all-in-one device ideal for home office use
  • Print speeds up to 26 ppm; scan with 1200 x 2400 dpi scan resolution
  • Built-in print cancel feature saves ink and paper
  • Enlarge or reduce documents and photos with the built-in resize-to-fit button
  • Manufacture's 1-year limited warranty

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Editorial Review:

Product Description:
Affordable, compact, and fast, the Deskjet F4280 lets you print, scan, and copy. It produces laser-quality black and vibrant color. Need to cancel a job at the last minute? Just press the Print Cancel button.

Amazon. com Product Description:
The HP Deskjet F4280 All-in-One Printer is designed for cost-conscious users who want to print, copy, and scan with one affordable and dependable multi-function device. With a stylish, contemporary aesthetic that's certain to look good in any home office, this all-in-one printer offers print speeds up to 26 ppm, color print resolution up to 4800 x 1200 dpi when printing on HP photo papers, and a robust 1200 input dpi. Other capabilities include a scan resolution up to 1200 x 2400 dpi, and a copy function that offers a reduce/enlarge range of 25-to-200-percent.

The HP Deskjet F4280 All-in-One Printer offers:
  • Ability to print, copy, and scan with one device.
  • Print speeds up to 26 ppm.
  • High-quality color prints at up to 4800 x 1200 dpi resolution.
  • Copier can enlarge and reduce photos.


The F4280 is compatible with both Macs and PCs. View larger.
In addition to its modern design and intuitive user interface, this Energy Star compliant device built for durability, performance, and energy efficiency. The Deskjet F4280 features include a convenient one-touch print cancel button to prevent the printing of unwanted pages, handy USB connectivity, and a removable scan cover for scanning thicker media. Printing documents the way you want them to look is a snap--the F4280 lets you easily enlarge or reduce documents and photos with the built-in resize-to-fit button.

Ideal for students and home offices, the printer also features a versatile paper tray that can handle several types of media and paper--including plain, inkjet, and photo paper, envelopes, transparencies, labels, cards, HP premium media, and iron-on transfers. Print your borderless photos in 4-by-6-inch and panorama formats, and get laser-quality black text plus vivid color graphics and photos using HP Vivera inks. Compatible with both PC and Mac operating systems, this printer comes backed by a manufacturer's 1-year limited warranty.

What's in the Box
Printer, black ink cartridge, tri-color ink cartridge, HP Photosmart Essential software, setup poster, reference guide, power supply, and power cord.




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Customer Reviews
Average Rating:  out of 5 stars

Rating: 3 out of 5 stars - Good for the money
We picked up the HP F4280 for it's multifunction and compactness. It prints well and doesn't take up much room. We read other reviews about the poor quality in scanning and we would have to agree. It is a decent scanner for documents but not so much for pictures. For the money we are not disappointed, but we are also not impressed.



Rating: 3 out of 5 stars - USB cable MISSING
* I was very disappointed to discover upon opening the package that the setup guide tells you that if the USB cable is not included in the package (which you have to have to use this) that you MUST BUY ONE SEPARATELY. WTF? No USB cable was included, and that makes me quite upset. ...



Rating: 5 out of 5 stars - Very good multi-function
The printer works very well. It has a short start-up time and prints the pages quickly. Very good quality. The scan-directly-to-print feature is really nice and works flawlessly.



Rating: 5 out of 5 stars - Basic but sufficient
* Ive had this printer a few months and no problems at all.
It is a basic printer/scanner that is very well layed out and compact. Hey, for about 50 bucks or under, you cant go wrong on this one. ...



Rating: 4 out of 5 stars - Well functioning 3-in-1 unit.
The first thing to say is that this machine is not for heavy use printing/copying. It is designed for occasional and brief use. Also, if you do not set it up correctly then you will have problems with it.

I've used it for small use since I bought it a few days ago and so far it operates properly. It scans a brilliant image of even smaller images and makes them transferrable to the internet as jpeg type files, or just about any other type of file that you want to save.

The printing time is slow but the actual print is nice and functional for the black and white. I haven't tried to print in color yet but I'd bet that it is even slower. That's fine for me, though, because I don't plan to use that function of this unit all that often or very much when I do use it.

Remember that when you buy a product to think carefully about why you are purchasing that product. Machines aren't all alike and if you count on $500 quality for $80 then you will not meet your expectations most of the time. That's not the manufacturer's fault. But, consider this product for the sake of the kind of use to which I will put it.

This is a good machine. It's nicely setup physically with intuitive controls. The software takes a bit of time to load onto the computer, but otherwise I see no problems developing from this machine in the foreseable future. The only thing I'm actually angry about is having to buy my own separate USB cable to hook it to the computer (it does not come with one). Otherwise, I am fully satisfied with this product.

If you are interested in finding a workhorse printer I suggest that you go with an inexpensive laser type. But, if you want multi-functionality for a good price that you won't overwork then this is your machine. I have two printers now. This one for the occasional scan, copy, or color print, and a laser for the harder work of punching out multiple pages of documents.

For the price you cannot beat this HP F4280.

(CB656A) Copier Scanner, Printer, All-in-One F4280 Deskjet HP


read more customer reviews on HP Deskjet F4280 All-in-One Printer, Scanner, Copier (CB656A)


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Alienware's flagship gaming laptop, the Area-51 m9750, has plenty of appeal for high-end gamers, but the alien head aesthetic seems dated, and newer components are right around the corner.

The rise and fall of muni-Fi (and rise again): Clearly, the largest story involving Wi-Fi in 2007 was the at-first continued growth in cities awarding contracts with no money involved on their part to have service providers build Wi-Fi networks--and the subsequent failure of these networks to be built. Starting quietly in late 2006, the market shifted for metro-scale Wi-Fi. During 2007, providers decided that bearing the full cost of a city-wide network without city contracts wasn't financially sensible.

The full scope of the low uptake rates in cities that had large portions of the network built out also became clear: rather than 15 to 35 percent of residents subscribing, just a few percentage points would put a network in the top tier. Revenue is apparently also pretty minimal even in cities like Taipei, Taiwan, the network provider for which was predicting 250,000 subscribers by the end of 2006, and had just 30,000 regular users each month at last public report in early 2007.

MetroFi started to tell cities that without an advance service commitment at a minimum level -- an anchor tenancy -- the company couldn't proceed on networks. In 2007, MetroFi lost half a dozen bids or saw contracts canceled due to this change. Its work in Portland, Ore., the biggest network it was building, won't be extended beyond current limited dimensions until additional capital or a city commitment is obtained; the city has said it won't commit to service fees, however.

Meanwhile, EarthLink lost its CEO Garry Betty in January due to cancer. A strong backer of new initiatives to change EarthLink's core business, his death was certainly one of the causes in a quick re-evaluation of the municipal wireless division. New CEO Rolla Huff pulled EarthLink out of new deals, suspended existing ones, laid off hundreds of employees while gutting the metro Wi-Fi division, and appears poised to leave currently built or underway networks, including their flagship Philadelphia effort. They may sell the division, but it's hard to see much worth in it given the current state.

In a smaller bit of news, Kite Networks, formerly known by various names, was sold by parent MobilePro to Gobility with conditions that according to SEC filings by MobilePro weren't met. Kite was once high flying, in the company of EarthLink and MetroFi as one of the major U.S. Wi-Fi network builders. Now it's still in that company, with work on its Arizona networks apparently halted. A suitor has emerged in the form of a regional telecom that specializes in the Hispanophone market (double entendre intended), and which thinks it could boost Tempe subscriptions from the current several hundred to about 300 times that number. Hope springs eternal.

And while AT&T was able to launch a Riverside, Calif., network with MetroFi handling the installation and operation, it backed out of St. Louis, Mo., due to a utility pole problem, and the bidding in Chicago, too. The Metro Connect consortiums in Sacramento and Silcion Valley were unable to raise financing despite the apparent blue-chip participation by Cisco, IBM, and Intel.

County-wide Wi-Fi was also hit again and again by providers who pulled out--CenturyTel in Pierce County, Wash., for instance--or problems with technology or utility poles. In a few scattered areas, Wi-Fi across counties has been built out, but it's not an idea whose time has yet come.

Muni-Fi isn't down for the count. While these high-profile networks in large cities and county-wide networks have mostly hit the skids, more modest networks with well-defined goals continue to be built with a focus on public safety and municipal uses in hundreds of small and medium-sized towns. Brookline, Mass., may be a good example, in which a public safety/public access network was built relatively quickly and with no reported problems.

And there's one big city success story: Minneapolis, Minn. While local provider US Internet wound up spending more than they'd intended, reports from the ground indicate that service works quite well, and subscriptions and interest are quite high. The company was able to respond almost instantly to the bridge collapse a few months ago by deploying additional mesh infrastructure to add network capacity in the area. And it says that it could reach positive cash flow in early 2008. One of their advantages? They secured a substantial commitment from the city for the services they built.

Other trends of the year gone by: Music and Wi-Fi are clearly more aligned, with the new Zune models and firmware from Microsoft allowing wireless sync (but not yet Wi-Fi purchases), and the introduction of both the Apple iPhone and iTunes touch, which allow music purchases over Wi-Fi but not synchronization. (While the MusicGremlin preceded both the Zune and iPhone/iPod options, it didn't seem to gain any market traction in 2007.)

Security continues to be a concern in 2007, although less of one as home users have clearly accepted WPA Personal, at long last, and networks are increasingly encrypted through better software from major hardware manufacturers. Wizards make encryption a no-brainer, when they work. Corporations stung by reports and by requirements from credit card issuers are also clearly protecting their networks better, although I'm sure we'll still see breaches at those firms that didn't cross every "t."

The 802.11n standard's emergence into an interim certified Wi-Fi state was also a significant milestone for faster wireless networking. Shipments of Draft 802.11n products in 2007 increased significantly, while prices dropped so much that it makes perfect sense to purchase a $50 to $80 Draft N router than a comparable G unit. Manufacturers made it clear as the year progressed that hardware sold today should generally be firmware upgradable to whatever the final, not much changed 802.11n standard is when approved in 2008.

Gadget-Fi continued on the rise, as an increasing array of devices included Wi-Fi as a connectivity option. Most notably, T-Mobile launched its HotSpot@Home service, the largest scale offering of converged cell/Wi-Fi calling. By year's end, they had four handsets for sale--two plain, a BlackBerry, and a clamshell--but subscriber numbers are unknown.

What's coming in 2008?

In-flight Internet (over Wi-Fi): 2008 is finally the year. It was supposed to be 2005. Or maybe 2002. But we should see a number of planes, mostly flying over the U.S., equipped with either in-flight Internet access or in-flight text messaging and text email. Connexion by Boeing's failure fortunately didn't discourage a half a dozen competitors who were in the R&D phase when Boeing wrote off its satellite-based Internet access venture.

AirCell, Row 44, OnAir, Aeromobile, Panasonic Avionics, and a T-Mobile consortium are among the announced or nearly announced firms with commitments or trials underway. AirCell and Row 44, focused on the U.S. market, plan to deliver Internet not voice to fuselages; OnAir and Aeromobile are working on mobile-based services, including voice, via existing cell phones and devices.

In 2008, American, Alaska, and Virgin America will launch trials over the U.S., and potentially move into production. OnAir should be expanding in Europe beyond the single French aircraft that's equipped in a trial now to RyanAir's fleet. And Aeromobile's Qantas trial could turn into real usage. There's likely action that will happen in Asia and the Middle East, too, that's not yet disclosed.

Other trends to watch

Wi-Fi in every smartphone with better integration. The iPhone was the leading edge, pun intended, offering 2.5G EDGE cell networking as part of the subscription price, along with seamless roaming to Wi-Fi networks. With RIM finally offering BlackBerry models with Wi-Fi, it's unlikely that any future smartphone model intended for serious users would lack the option.

Wi-Fi everywhere. Despite the setbacks in municipal Wi-Fi, wireless networks continue to expand, with better and better coverage found across larger areas and more locations. 2008 might be the year of hotspot saturation.

WiMax arrives. In 2008, we'll finally see production mobile WiMax in action in the U.S., and the questions about whether it works well enough and fast enough at the right price to beat current generation cell data networks, and make money for the disorganized Sprint Nextel will be answered. More certainly, Clearwire, with WiMax as its only option, will push aggressively to steal customers away from fixed, wired broadband, especially in markets with little competition.

Gadget-Fi a go-go. Wi-Fi will become an expected part of gaming consoles (already found in a few), cameras (found in crippled form in just a handful), regular cell phones (in dozens and dozens now), and music players (with more full functionality).







$10.49



A cheerfully over-the-top action film, Bad Boys is notable chiefly for the rapport between its two stars, Will Smith and Martin Lawrence, as two Miami cops on the trail of a drug kingpin as they try to protect a witness (Tea Leoni). Smith is the swinging bachelor and Lawrence the family man, and both must juggle their personal lives as they baby-sit the one chance they have to recover a stolen drug shipment, save their jobs, and take down the drug dealer. While the film is almost always implausible and its story is something seen many times before, director Michael Bay (The Rock) keeps things moving stylishly and at a feverish pace, as Smith and Lawrence prove themselves a terrific comic pairing. Their odd couple banter flies at a faster clip than the bullets and explosions, and becomes the best reason to see this hyperbolic but entertaining action flick. --Robert Lane
$9.99



Peter Berg's dark comedy about a bachelor party gone horribly awry is highly ambitious in its attempts to satirize suburbia, male bonding, and self-help philosophy, and for the most part it does succeed in hitting its targets with a malicious, misanthropic glee. When five buddies arrive in Las Vegas for some pre-wedding shenanigans, things quickly spiral out of control when the requisite prostitute falls victim to a grisly accident, igniting a spark in an already unstable powder keg of personalities. Following the lead of real estate agent and self-help guy Robert (Christian Slater), the men warily agree on a cover-up and covert desert burial. A couple hours and another corpse later, however, they're already at each other's throats, and their escalating breakdowns threaten to disrupt the highly prized wedding of hard-as-nails bride Laura (a stunning Cameron Diaz). Berg, like most actor-turned-directors (this is The Last Seduction star's filmmaking debut) helms the film with a wildly sliding tone and tends to weigh its strengths heavily on its performers. Slater's psycho turn is by far his most inventive yet (he's more in control than ever before), Diaz effectively mixes sunshine with poison, and Jon Favreau is effective and understated as the hapless bridegroom; the rest of the cast, however, tends to play up the histrionics. Be warned, though: Those expecting a sunny-style There's Something About Mary gross-out comedy will probably be shocked by Berg's take-no-prisoners agenda; this is comedy at its absolute blackest, and no one is spared. --Mark Englehart
$19.99



It actually underscores the power and distinctiveness of Gary Cooper's movie stardom that this isn't so much a true collection as gleanings from the odds-and-ends table. That's not a knock; three of the four films are solid entertainments and would be well worth recommending on their own. But the only thing unifying them is the beauty and enigma Cooper brought to them, and the professionalism with which he addressed these wide-ranging assignments.

Three of them date from the '20s and '30s and were produced by Samuel Goldwyn. The 1926 silent The Winning of Barbara Worth gave Western stunt man and bit player Cooper his first featured role (by accident--the actor originally cast didn't report for work!). A cowboy whose visionary surveyor father aims to "redeem the desert and make it one fine garden," Cooper's character is the third corner of a romantic triangle, ordained by the Hollywood caste system to lose lifelong sweetheart Vilma Banky to engineer Ronald Colman. Colman has lots more screen time than Cooper and bears the moral-ethical brunt of the eco-conscious drama; he's also surprisingly persuasive wearing a sweat-stained Stetson and trading gunshots with the bad guys (if this were a sound film, Colman could never have gotten away with it). But the camera and the audience are locked onto Cooper whenever he's on screen. In longshot or vulnerable closeup, he's already one of the gods of the cinema. As for the movie, the quality of the print is excellent, its clarity intensified by bronze, yellow, and moonlit-blue tinting that often seems on the verge of resolving into full color. Director Henry King shows a good eye for action and bold vistas, and a visual adventurousness mostly absent from his later work.

Next up chronologically is The Cowboy and the Lady (1938), and the best thing about this misbegotten movie is Garson Kanin's description, in one of his Hollywood memoirs, of how Leo McCarey sold the idea for it to Sam Goldwyn. McCarey was, of course, a comedic master (recently Oscared for directing The Awful Truth), and his exuberant pitch convinced Goldwyn and his staffers that audiences would "piss" themselves laughing at this romantic comedy about a daughter of privilege (Merle Oberon) who falls for a rodeo rider (Cooper) and learns homespun values. Goldwyn paid McCarey off, assigned some writers to the script, then realized there was no real story--"no there there," as Gertrude Stein might have put it. The resultant unfunny and unromantic endeavor oozes bad faith from every pore, with neck-snapping life changes foisted on the hapless Cooper and Oberon from reel to reel, and excruciating scenes (jitterbugging in a drawing room, playing house back on Cooper's ranch) that strain charmlessly for McCarey's patented brand of fey. H.C. Potter directed, understandably without conviction.

We and Cooper are back on track with The Real Glory (1939). The reliable Henry Hathaway helmed this second cousin to his and Cooper's The Lives of a Bengal Lancer, with Cooper as an Army doctor assigned to the Philippine Constabulary on Mindanao in 1906. The movie was well-received when it came out; encountered in the shadow of the Iraq War, its tale of U.S. occupiers trying to help the local populace "stand up" against a fanatical and murderous insurgency takes on new fascination. There are some amazing passages--two horrendous murders by bolo knife--and the final battle sequence puts the CGI-riddled action films of the present day to shame. But the most impressive element is Cooper, and we can't improve on the verdict of that astute film critic Graham Greene: "Mr. Cooper ... has never acted better.... Watch him inoculate [Andrea King] against cholera--the casual jab of the needle, and the dressing slapped on while he talks, as though a thousand arms had taught him where to stab and he doesn't have to think any more."

For the final film in the set we jump into the '50s--the century's and Cooper's. Vera Cruz (1954) casts him as a former Confederate officer who's ridden into Emperor Maximilian's Mexico, hoping to make a fortune in the new civil war south of the border so that he can rebuild his own devastated homeland. Costar Burt Lancaster (whose company Hecht-Lancaster was producing) plays another mercenary, a real sociopath, and it's fascinating to watch these two stellar icons of very different Hollywood eras make common cause--Lancaster at the height of his grinning-predator mode, Cooper an aging knight whose aim is still true. Director Robert Aldrich keeps finding dynamic uses for the SuperScope format and flavorfully fills it with sublime uglies like Ernest Borgnine, Jack Elam, Charles Horvath, Jack Lambert, and Charles Buchinsky-about-to-become-Bronson. Pieces of this movie found their way into the dreams of Sam Peckinpah and Sergio Leone. --Richard T. Jameson


by Will Pearson, Mangesh Hattikudur, Elizabeth Hunt
$10.17

Average customer rating: 4.0 ISBN: 0060568062

by Gordon Livingston, Elizabeth Edwards
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Average customer rating: 4.5 ISBN: 1569244197

by Henry C. Lee, Jerry Labriola
$16.32

Average customer rating: 3.0 ISBN: 1591024099
$14.99



She was famous as both artist and model, infamous as political revolutionary and social libertine, and Frida Kahlo's controversial life couldn't help but seem the stuff of great musical theater. Her story is brought to the screen by director Julie Taymor, whose musical compatriot here is also her husband; Elliot Goldenthal, student of both Copland and Corigliani, shrewdly sublimates his modernism in service of the rich, evocative music and songs of Mexico and Central America. Utilizing performers that range from the contemporary (Lila Downs) to the folk-classic (Costa Rican legend Chavela Vargas; Brazilian star Caetano Veloso) and traditional (Los Cojolites, El Poder Del Norte, Trio Huasteca, Caimanes de Tanquin, and others), Goldenthal generously displays the true breadth of Mexican folk music, while seamlessly infusing it with the minimalist corners of his own underscore and some winning songwriting of his own. The result is one of 2002's most compelling soundtracks. The enhanced CD features include musical film excerpts, as well as a video conversation between Goldenthal and star Salma Hayek and text interviews with the composer and director Taymor. --Jerry McCulley
$11.98



This is a downbeat and brainy set of mostly instrumental tracks from the likes of Kronos Quartet, ECM guitarist Terje Rypdal, guitarist Michael Brook, and Lisa (Dead Can Dance) Gerrard. Highlights include "Always Forever Now" by Passengers (Brian Eno, U2), and Moby's mordant cover of Joy Division's "New Dawn Fades." --Jeff Bateman
$10.99



With the soundtrack to Divine Secrets of the Ya-Ya Sisterhood, O Brother, Where Art Thou? producer T Bone Burnett has compiled another gently nostalgic gem. Filled with covers of jazz standards, sparse blues picking, and traditional Cajun pieces, Sisterhood matches Brother in ambiance and impeccable musicianship. The highlights are numerous: Bob Dylan's lively song waltzes with a raspy narrative, Lauryn Hill uses acoustic plucking to complement her soulful croon, and Bob Schneider contributes an understated love-ballad rumbling with piano. Even the cover songs are first-rate; Macy Gray jive-jumps through a faithful Billie Holiday cover, and Tony Bennett slows things down with a dapper and distinguished Nat "King" Cole homage. Despite the diffuse genres covered, the superior quality of Sisterhood's songs renders these differences negligible, and the album's pacing ensures a pleasing alternation of styles that never lags. In fact, there's nary a bad song on the entire album. The divine secret's out--Sisterhood is an essential listen. --Annie Zaleski
HP Deskjet F4280 All-in-One Printer, Scanner, Copier (CB656A)
Shopping  Created at Sun Nov 23 00:12:59 2008